1/1/2024 0 Comments Tool reflection trent reznor“There was a sense that I couldn’t fit in anywhere, I couldn’t relate to people I felt alone, I felt angry about it. “The self-destruct button was pushed when I first started writing,” he says. He says he has never fully grown out of the disquiet that powered Pretty Hate Machine and sent him into a gyre of self-destruction in the 1990s – The Downward Spiral, to quote the title of the band’s multi-platinum 1994 followup, infamously recorded in the house where the Manson family murdered Sharon Tate. Today, with burly arms and designer stubble, he is still a rock star, but one with a top note of nerdish unease: shoulders ever so slightly tensed, head ever so slightly bowed. I couldn’t fit in anywhere, I couldn’t relate to people I felt alone, I felt angry about it. ” He realised that the words he was writing in his journal – “to keep myself from going crazy” – were the real lyrics he needed, and Nine Inch Nails’ success was quick and exponential. But the journal entries of a horny, sad guy who doesn’t fit in. Important political statements, no one’s going to make fun of me for them. “I thought the Clash were cool so I was trying to be cool, too. “I fucked around with some bad music I was trying to sound like other bands,” he says of his pre-Pretty Hate material. The lyrics conjured up a struggle between God, love and death as Reznor contemplated suicide, sin and salvation in sex. The idea of having a chorus and a melody, it’s beaten into my head.” At 23 and working alone under the influence of Prince, the industrial label Wax Trax! and more, he started writing the songs that would make up the band’s brilliant 1989 debut album Pretty Hate Machine: tinny, seething tracks that had definite shades of Depeche Mode, Nitzer Ebb and other twisted synthpop, but with a head-banging street-punk swagger that was totally new. “I could sing you every hit from the 70s, every word to every song, because I heard them all constantly. Long before the internet and with no access to cool college radio, Reznor was immersed in mainstream AM-radio rock. Thirty years on, Reznor – the only official member until 2016, when his long-term British collaborator Atticus Ross was added – is in one of his most fertile periods, having just completed a trilogy of releases with new album Bad Witch, six arresting tracks of wailing sax, acid house bass lines, and post-punk drumming, topped with Reznor’s trademark misanthropic lyrics (“I eat your loathing, hate and fear”).Ĭlick here to watch Less Than from last year’s Add Violence EP. Since forming in 1988 as the brainchild of Trent Reznor, Nine Inch Nails have taken various anti-commercial elements – industrial noise, songs about pain, absence and sex – and hammered them into Vegas-ready shapes, showtunes for the goth-glam set. It is slightly incongruous, appearing as it does down the street from Backstreet Boys: Larger Than Life and Mariah Carey: The Butterfly Returns, but no less razzle-dazzle in its own way. To get here you must pass the tumbling dice, the restless women queuing for the Magic Mike live show, and the inert displays of Johnny Cash memorabilia. Click to change.The title of Nine Inch Nails’ new tour, kicking off in Las Vegas’s Hard Rock Hotel & Casino, is Cold and Black and Infinite.
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